The third album from Esther Rose - her first for Full Time Hobby - is a harmony drenched alt-country heartbreak record. While augmenting her lap steel and fiddle with glossy mountain-top folk-pop, she dives headfirst into her most introspective and deeply personal songs thus far.
Even if this leans to pop more than the country or bluegrass she is best known for, Watkins’ affection for this collection of children's songs is obvious. She successfully crafts an album adults can enjoy, just as much as their little ones; maybe even more so.
There aren’t many artists talented enough to pull off a concept this uniquely creative and idiosyncratic without a hint of pretension. But Israel Nash has honed this territory for a while. The result is an immaculately constructed, filmic album that’s both expansive yet personal.